This technique was practised in antiquity and was described by Vasari as being a quick and durable method for decorating building facades. In this same century, the sgraffito technique, also known as graffito or scratchwork was introduced into Germany by Italian artists, combining it with modelled stucco decoration. Sand or marble dust, and lime, were sometimes added. This was composed of gypsum plaster, animal glue and pigments, used to imitate coloured marbles and pietre dure ornament. In the 16th century, a new highly decorative type of decorative internal plasterwork, called scagliola, was invented by stuccoists working in Bavaria. In the mid-15th century, Venetian skilled workers developed a new type of external facing, called marmorino made by applying lime directly onto masonry. During this same period, terracotta was reintroduced into Europe and was widely used for the production of ornament. This is a form of incised, moulded or modelled ornament, executed in lime putty or mixtures of lime and gypsum plaster. In the 14th century, decorative plasterwork called pargeting was being used in South-East England to decorate the exterior of timber-framed buildings. Hair was employed as reinforcement, with additives to assist set or plasticity including malt, urine, beer, milk and eggs. Plaster decoration was widely used in Europe in the Middle Ages where, from the mid-13th century, gypsum plaster was used for internal and external plaster. There was little use of hydraulic mortar after the Roman period until the 18th century. Around the 4th century BC, the Romans discovered the principles of the hydraulic set of lime, which by the addition of highly reactive forms of silica and alumina, such as volcanic earths, could solidify rapidly even under water. Following the fall of the Roman Empire, the addition of marble dust to plaster to allow the production of fine detail and a hard, smooth finish in hand-modelled and moulded decoration was not used until the Renaissance. The Romans used mixtures of lime and sand to build up preparatory layers over which finer applications of gypsum, lime, sand and marble dust were made pozzolanic materials were sometimes added to produce a more rapid set. Modelled stucco was employed throughout the Roman Empire. In ancient India and China, renders in clay and gypsum plasters were used to produce a smooth surface over rough stone or mud brick walls, while in early Egyptian tombs, walls were coated with lime and gypsum plaster and the finished surface was often painted or decorated. Often, walls and floors were decorated with red, finger-painted patterns and designs. Around 7500 BC, the people of 'Ain Ghazal in Jordan used lime mixed with unheated crushed limestone to make plaster which was used on a large scale for covering walls, floors, and hearths in their houses. The earliest plasters known to us were lime-based. For the art history of three-dimensional plaster, see stucco. The process of creating plasterwork, called plastering or rendering, has been used in building construction for centuries. Plasterwork is construction or ornamentation done with plaster, such as a layer of plaster on an interior or exterior wall structure, or plaster decorative moldings on ceilings or walls.
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